Print

 
THE PRINT REVOLUTION (1450-1789)

THE PRINT REVOLUTION

• 1450-1789

• Gutenberg (approx. 1450 movable metal types)

• China and Japan (8th c.)

• By the 16th c. presses – 80 in Italy, 52 Germany, 43 France.

• 27000 editions (average of 500 copies per edition).

• Paris and Venice


In Russia
and in the Christian orthodox world more generally…


• Slow penetration (very low literacy rate)

• This changed when Peter the great (1686-1725) founded:

a press in St Petersburg

Senate Press

Naval Academy Press

Academy of Science Press

• Literacy and education were to the Tsar a way to make Russians familiar with modern science and technology


In the Muslim world


• Resistance throughout the early modern period



• Turkey: a sin to print religious books






Print and dispotism


• Henry Oldenburg (1659): absence of print is favourable to dispotism (the turk emporor exploits the ignorance that impose on the people)

• Samuel Hartlib (1641): people, knowing their own rights and liberties, will not be governed by way of opprression

• De Condorcet (1795): printing, like writing, the progress of the human mind




Positions “against” the print


• Scribes


• Churchmen (print allowed readers to study religious texts for themselves)


• Governments


17th century (information explosion)

• The rise of newspaper increased anxieties about the effects of print


• Need of new methods of information management (as today with the Internet, selection and criticism of books and authors)


• Middle ages – paucity of informations and books; 16th c. problem is superfluity (subject bibliographies – necessary)


Lord Acton account of printing (“on the study of history” – 1895)



• Knowledge accessible to a wider audience


• Enable later generations to bulid on the intellectual work of earlier ones (middle ages – many ideas were lost)


Changes in the occupational structure of European cities

• Printers

• Proof-correcting


rise of:


• Booksellers

• librarians




Can print be considered a revolution?

Elizabeth Einstein (“the unacknoledged revolution”) 1979


• Print standardized and preserved knowledge which had been much more fluid in the age of oral or manuscript circulation


• and encouraged the critique of authority making incompatible views of the same subject more widely avalaible


Reconsidering the print revolution (critiques to Einstein’s theory)

• 1) Can a revolution which is not rapid be regarded as a revolution? (Raymond Williams)

• 2) to speak of printing as the agent of change places too much emphasis on the medium at the expense of writers, printers and readers.

• 3) in order to assess the social and cultural consequences of the invention of printing is necessary to look at the media as a whole, as a system. This means emphasizing the division of labour between the different means of communication and relating changes in the media system to changes in the transportation system: the communication of messages is (was) part of the system of physical communication


Print was contributing to the increasing uniformity of national languages, a process which was also encouraged by the publication of grammars of different European languages; this validates Einstein’s point about the connections between printing and standardizaiton of languages


Physical communication (transport and communication)

• Information flows followed trade flows (ex: silver route from Mexico or Perù to Europe, the sugar route, from the Caribbean to London)


16th-17th c. Increasing awareness of the problems of physical communication:
• Governments concerned themselves more with roads

• Rapid expansion of the postal system

• In early modern europe transport by water was usually much cheaper than transport by land

• 1837: electric telegraph: the traditional link between transport and communication of messages is broken


Empire and communication

• Karl Deutsch: “Communications are the nerves of the government” (especially important in large statesand far-flung empires)

• Charles V (Spain-netherlands, Germany, Italy, Mexico, Perù)- traditional medieval style of nomadic kingship

• Postal system (Tassis- Brussels-special couriers up tp 125 miles a day-massacre of St Bartholomew-poste haste)

• Philip II (son and successor of Charles V): el rey papelero ( the king of paper)

• The great problem was the lenght of time that documents took to reach him and the way round


Transatlantic communication

• 18th c – improvements in communications shrink the Atlantic

• Ships – letters + books and newspapers

• 17th c – romances of chivarly exported to Mexico and Perù, despite the disapproval of the clergy; in puritan New England more demand for printed sermons

Kinds of oral communication

• Remained important even after the invention of printing

• Preaching (an accepted priestly duty) – streets-squares-churches (ecclesiastical rhetoric)

• Luter: new printing “God’s highest gift of grace”, but “the church is still a mouth house and not a pen house”

• Governments aware of the value of the pulpit for communicating informations (rural areas) + obedience

• Academic: instruction took place through lectures, debates, formal speeches or declarations
• Song, ballad

• Rumour – “an oral postal service”, not always spontaneous (ex. The Great Fear in French)


• New institutions which structured oral c: academies, salons, clubs, saloons and coffee-houses, that were kept under surveillance in most cities.

• Development of commerce-rise of exchanges and bourses-the deliberate spreading of rumour in order to force prices up and down

• Other centres of oral c: taverns, public baths


Written communication

• Early modern Europe- a society of restricted literacy (males-townspeople-protestants)

• Mediated literacy-using literacy for the benefit of illiterate (public writer)

• Political consequences of literacy: the spread of written records and with it dependence on the processing of information+rebellion were accompanied by the formulation of grievances in writing+petitions


Languages of communication

• Rise of a print society-rise of the vernacular languages of Europe

• Medieval societies: written c-latin, oral c-local dialect

• Print aided the process of the increasing employment of the vernaculars for literary purposes (standardization and codification)

• Despite this, latin was still common (english ca 18th century)


Visual communication

• Works of art-communicative events

• Secular paintings and religious paintings: s- communicated a greater variety of messages to smaller audiences; r-displayed in churches

• Both were made on commission not for the market (selling first, producing afetrwards)


Printed images

• Rise of the market-rise of the print (the most profound change in visual comm in this period)

• Prints-cheap to make and transport-reach relatively large numbers of people quickly (indians-saints-paintings-western european images)

• Maps, globes-encouraged global consciousness

• Narrative strip or picture story, ancestor of the 20th century comic strip

Multimedia communication

• Combine eye+ear, verbal+visual messages, the most effective were:

• Rituals

• Spectacles

• Plays

• Ballets

• operas



Rituals

• Strong visual component


• What could not be recorded nedded to be remembered-had to be presented in a memorable way. Ex: coronations of kings, homage of vassals to their lords, state visits to cities, processions, medieval jousts and tournaments, executions




Who was saying what to whom through these rituals?

• Ex: state visits to cities. City demonstrates loyalty to the prince+princes demonstrated their good will towards their subjects.
But:
- Foreign princes
- Charles V entered Bruges in 1529 – the pageants drew attention to the economic decline of the city, which was being displaced as a centre of commerce by the port of Antwerp


Spectacles

• The “theatre” of the everyday life of the ruler (Louis XIV and Elizabeth I-princes are “set on stages”)-the rise of “spectacle state” and the “star system” in politics

• Case study: the Florentine Festival of St Giovanni the Baptist-celebrate the power of Florence: religious+secular elements. Ritual=expression of the collective identity of the Florentines


Theatre


• Plays,operas, dramas, ballets



• Rise in all the most important European cities



Interactions between media

• Iconotext: an image which depend for its interpretation on texts incorporated into it



• Manuscripts


Manuscripts


• Used to transmit messages in a semi-public way (ex: in 18th c Russia secular literature circulated in m and orally because the few presses- religious books)

• Used to evade religious, moral and political censorship (ex: Galileo’s letter to the Grand Duchess)

• Used by coterie poets and other writers

• Texts were more malleable than printed

• Manuscript newsletters (1550-1640): sent in multiple copies to a limited number of subscribers



Oral and printed media coexisted and interacted


Censorship

• A major preoccupation of political and religious authorities concerned with:


• Political and religious ideas considered subversive


What was censored?

• Books



• Plays (difficult/impossible to prevent actors from improvising subversive remarks in the course of performance)


Catholic Church’s censorship: the Index of prohibited books

• 1564-till 50 years ago

• Printed books which the faithful were forbbiden to read

• Heresy (Boccaccio’s Decameron)

• Sedition

• Immorality (Michelangelo’s last Judgement)

• Magic



Protestant censorship

Less effective because of fragmentation into different churches with different adminisrative structures:


• Lutheran

• Calvinist


In England


Licensing Act (1662-1695): books have to be inspected by authorities before publications



Clandestine communication

• Unintended consequence of awakening interest in banned titles which some readers might not otherwise have known about. Messages communicated undergorund:

• Secrets of governments

• Commercial or technical secrets

• Unorthodox religious ideas

• Pornography

Aspects of clandestine communication

• Codes and ciphres

• Raids on printers suspected of trading in forbbiden books

• Pseudonyms of authors

• Disguised identity of printers
• False or imaginary place of publication

• Actually to print abroad (not just claim to)

• Printed books frequently smuggled accross frontiers

• Communicating messages on two levels (method of Aesop)-metaphors




Consequences of the rise of the print market

• Printing was dangerous, but profitable

• Bestsellers

• Advertising in print (17th c)

• 18th c novels like tv serials today

• Rise of the idea of intellectual property (copyright act – 1709, international copyright 1887 ) as a consequence of consumer society and the spread of printing

• Writing a path to individual fame



• Venice (till 1547 Inquisition) island of relative tolerance of religious diversity

• Amsterdam (a major centre of newspapers)- commercialization of information. Papers 1-2 a week written in latin, french and english:
• The corrant out of Italy, Germany
• Courant d’Italie
• Gazette d’Amsterdam

Instruction (information) and Entertainment


• Books-newspapers – information and moral instruction


• Entertainment literature – 18th c became part of the commercialization of leisure, alongside with concerts, horse-races and circuises


The Print Revolution

• 1) Critics of the print revolution: print is not an agent, but just a technology + too long period

• 2) Defenders print is an agent (what made the change possible)

Press:

• Favoured the relative fixity of texts and facilited the accumulation of knowledge (oral culture was fluid)
• Destabilized knowledge
• Through newspapers contributed to the rise of public opinion


Media and public sphere


• The Reformation

• Wars of Religion

• The Revolt of the Netherlands

• English Civil War

• The Glorious Revolution

• The French Revolution


The Reformation

• Luther translated the Bible in vernacular – no need for clerical mediation. So the debate that took place in Europe about this point contributed to the rise of critical tought and of public opinion.

• The involvement of the people in the Reformation was both a cause and a consequence of the involvement of the media.

• Thanks to the new medium of print. Luther could not be silenced or burnt
Cause and Consequence


• It was a cause because Luther’s reform (and more generally a reform of the Church) was the most important issue at the time


• It was a consequence as well because thanks to the new medium an increasing number of people were involved.



• Luther wrote in a kind of common denominator of dialects – German language

• Luther, unlike Calvin, did not disapprove images

• Propaganda and censorship were the answer of the Catholich church: they were religious before they became political

• After 1520’s Lutherans turned into a church and public discussion declined



The Religious Wars (2nd half of 16th century)

• The French religious wars were fought not just with swords and guns, but also with the media (pamphlets, image-making and burning)

• Protestant- book culture

• Catholic- image culture

• 16th c – iconoclasm (statues): communication through images was specifically prohibited in Calvinist areas



The Revolt of the Netherlands (against Spanish dispotism - Philip II)


• 1568-1648: a huge number of pamphlets

• Printed images were used too

• The political pamphlet was becoming a part of Dutch political life –

• It was in the Netherlands, particularly in Amsterdam, that the newspaper became an institution, later on used in political fights



The English Civil War


• 1640’s a decade of crisis

• English Civil war-media war: speeches, text (pamphlets and newspaper) - images, rituals (processions + image-breaking)

• Debate about the freedom of the press: the outbreak of the war coincided with the outbreak of the English newspaper

• Print-appeal to the people-extension of the public sphere



The Glorious Revolution (1688)

• William of Orange – a fundamental role of the media

• His Declaration of the reasons of the invasion was printed and distributed before the invasion took place

• “Glorious Revolution” was a name built at the time through the media

• Rise of an unofficial periodical press, more informative than the official “Gazette”


The French Revolution (1789)

• Philosophes-Encyclopèdie (1751-1765), a major event in the history of mass comm.

• Involvement of French Rev=cause and consequence of involvement of the media

• French R. began with calls for a press

• Rev.- a good business for the press-exciting news and readers – at least 250 newspapers founded in the last 6 months of 1789

• Oral c-important, a time of intense debate, speeches in the National Ass and in the political clubs in Paris

• The conscious mobilization of the media in order to change attitudes may be described as propaganda

• The use of the terms propaganda and public opinion became popular in this period